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My Job Is to Play

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From the time I first started playing volleyball, it was all I wanted to do. I loved the physicality, the competition, and being part of a team. Every moment I was on the court, I felt like a child on a playground. I even loved practice.

This passion guided me through high school and college and into my professional career. But soon, another obsession began to take hold of me: I wanted to become an Olympian. This quickly became my only focus. I was certain that if I could call myself an Olympian, my life would be complete. After that, there wouldn’t be anything else to prove. I would have reached the pinnacle of my sport. I could sit back, take a moment to relax, and appreciate my accomplishments.

But then there I was, alone, empty, and fatigued by the very thought of picking up a volleyball, just months after representing my country at the 2016 games in Rio.

I was supposed to be happy. Things were supposed to be perfect. I had set myself an ambitious goal and then I had accomplished it. But instead of feeling proud or content, I just felt lost and confused. The little girl inside of me who used to love playing for the sake of playing seemed like a total stranger, or a ghost.

I looked for ways to rekindle my passion. I set new goals.

 I initially thought a season playing for Imoco Volleyball would do the trick, as my boyfriend (and now fiancé) would also be playing in Italy. But two weeks in, he walked away from his contract to return home to California. Just like that, the person I was counting on to share my downtime with — one of the primary reasons I was even in Italy — was gone.

 Long story short, I got through it because I had to. As my dad often reminded me, I was a professional.

 Don’t get me wrong — I truly loved the city of Conegliano, as well as my teammates, my coaches, and the league — everything, really, except the actual volleyball. It felt like I was just going through the motions on the court.

I finished the season and headed home to California to train with Team USA, lifting every day and touching a volleyball 5 days a week. I still felt lost, but I didn’t have time to step away. Being a professional volleyball player means playing eight months of the year with your club team and the other four with the national team. You only get one week off the entire year.

But as I waited for my passion to come back, I used my time in California to reconnect with those aspects of my life outside of my sport that I had been neglecting. I grew my relationship with my fiancé and built a strong foundation with my group of friends at home. I made myself available to those closest to me, and by the end of summer, I was finally starting to feel like myself again.

So much so that I decided to sign with Vakifbank Spor Club in Istanbul.

Though I hadn’t fully regained my passion, I was confident I could deal with the various nuances of playing professionally abroad. On top of that, Vakifbank was indisputably one of the best teams in the world. It felt like an opportunity I’d be stupid to miss.

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Yet as the 2017 season began, my confidence was immediately put to the test. I was sitting behind a veteran Turkish player in her final year, and while I appreciated the intensity of my training, it was tough to stay motivated when I barely saw the court. And though my fiancé had come with me to Turkey, he was now battling a potentially career-ending injury and had to return to California for surgery, leaving me alone and struggling… again.

When the season finally ended, I went home, physically stronger than ever before, but mentally drained. Volleyball and I just weren’t meshing. It had become a job, and everything felt 10x harder than it probably was. I found myself clinging to my days at home and just trying to make it through my days on the court. All I wanted was to spend time with my family, my fiancé, and my friends. I wanted a normal life.

I couldn’t feel the passion, and I didn’t understand why. I was stuck in the past, trying and failing to remember how I had fallen in love with volleyball in the first place. Instead of passion, I felt a profound resentment for the sport that was supposed to be the greatest constant in my life.

But here’s the thing: sometimes when you’re in the trenches of doubt and self-inquiry, the answers you need just can’t find you.

It was only when I allowed myself the space to reflect on why I was spinning that I started to get a grasp on my situation. Stepping back, I realized that dedicating myself to some specific end goal or perfect situation was a recipe for unhappiness. I had set myself up for failure by thinking that becoming an Olympian would be the answer to everything, and when it wasn’t, thinking that I just had to have one good club season somewhere in order to right the ship.

What I realized was that goals are only a small part of the picture. They may help motivate you in the beginning, but you can’t expect them to be an enduring source of purpose. I knew I had to channel the little girl I used to be, the one who loved every part of the process, not just the end results.

 Now what fulfills me are the hard days, those days when it’s hour 6 of training and I can barely move, but my teammates are still making incredible plays, despite there being no trophy to earn. It’s those practices when we are scratching and clawing for points, when I’m so exhausted that all I can do is lean on the other 5 girls and know that they are doing the same. Loving those days is loving the process.

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CAMERON SPENCER/GETTY IMAGES

Don’t get me wrong: winning championships and gold medals will always be the greatest high — but it’s those long, exhausting days in between the big moments where I find my purpose.

If I’m able to call myself an Olympian again, I know that it’ll feel 100x bigger than my first time around, because I’m no longer focused on the wrong things. I’ve stopped obsessing over the end results, and I’m no longer always looking ahead to what’s next. I know now that my job isn’t to win this or that trophy, or make this or that team.

My job is only to play.

Cameron Brink likes Caitlin Clark for 2024 WNBA Rookie of the Year

Cameron Brink poses with Caitlin Clark at 2024 wnba draft in new york
Cameron Brink poses with fellow draftee — and possible WNBA ROY —Caitlin Clark. (Photo by Emily Johnson/NBAE via Getty Images)

Cameron Brink already has her rookie of the year pick for the upcoming WNBA season, and it’s Indiana-bound star Caitlin Clark

In the latest edition of Kelley on the Street, host Kelley O'Hara caught up with Brink in New York hours before the Stanford phenom went No. 2 overall to the Los Angeles Sparks at the 2024 WNBA Draft. When O’Hara asked who would win the WNBA's rookie of the year, she answered without pause.

"Caitlin Clark," she said, while a fan commented that she thought Brink would take home the award. Brink later added that the extra foul granted to WNBA players will be "good for me."

"I hope it’s me," Charisma Osborne, who was later drafted by the Phoenix Mercury, said when asked her ROY prediction. "But, I don’t know — we’ll see."

Watch more of Kelley on the Street:

Dash winger Maria Sanchez confirms trade request a day shy of NWSL deadline

María Sanchez of Houston Dash during a NWSL game
In December, Sanchez signed a new three-year contract with the club worth $1.5 million including bonuses and an option year. (Photo by Marcus Ingram/Getty Images)

Maria Sanchez issued a statement on Thursday, confirming recent reports that she has requested a trade from the Houston Dash. 

In it, she revealed that the club has been aware of the request "since late March."

"This has all taken a toll and isn’t an easy thing to talk about, but I want to confirm that I’ve requested an immediate trade," she wrote. "My expectations and reasons have been clear. I trust that my current club’s management will honor my decision in a timely manner and proceed with accepting a trade."

"I’m eager to refocus and dive back into what I love most: playing football," she concluded.

Reports of Sanchez's trade request first surfaced on ESPN last week, and were later confirmed by multiple sources. 

In December of last year, Sanchez signed a three-year contract with the Dash valued at $1.5 million including bonuses and an option year. It was the largest contract in NWSL history at the time — a figure that would be eclipsed by multiple contracts in the following months. 

Sanchez spent the offseason as a restricted free agent, meaning that Houston could match any other team's offer to retain her rights. Should the Dash trade Sanchez, her current contract terms would remain intact, limiting potential buyers to teams able to afford to take on an inking of that size.

The Dash has yet to address the trade, instead reiterating to ESPN that Sanchez is "under contract, a choice she made in free agency at the end of 2023." 

Both the NWSL trade window and transfer window close tonight, April 19th, at 12 a.m. ET. The window will stay closed through the next 11 regular season games, reopening on August 1st, 2024.

Seattle Storm debut state-of-the-art $64 million practice facility

Jewell Loyd #24 of the Seattle Storm during warms up during practice on July 11, 2020 at IMG Academy in Bradenton, Florida
Jewell Loyd, seen here practicing at Florida's IMG Academy, and her team are in for a major upgrade this season. (Photo by Ned Dishman/NBAE via Getty Images)

The four-time league champion Seattle Storm unveiled their new practice facility on Thursday, with Storm co-owner Lisa Brummel dubbing Interbay's Seattle Storm Center for Basketball Performance the team’s "new home."

"It's just such a special space," Brummel told Fox 13 Seattle. "I think when the players get here, it's gonna be overwhelming."

The sprawling 50,000-square-foot, $64 million property is just the second designated practice facility to be designed and built expressly for a WNBA team, with the Storm further noting that 85% of all design and engineering team members involved in the project's construction were women and people of color. The finished product holds two professional indoor courts, two 3x3 outdoor courts, a state-of-the-art locker room, and players' lounge, plus designated areas for strength and conditioning, kitchen, dining, and nutrition, and recovery. 

"This facility reflects our commitment to providing our athletes an exceptional environment that supports their growth, health, and performance," said Storm co-owner Ginny Gilder in an official team release. "It’s built for women, by women, embodying our dedication to leading the way in professional women’s sports."

For their part, the team can't wait to make the faciilty their own.

"It's amazing," Storm guard Jewell Loyd told Fox 13. "Not having to drive everywhere around, knowing you have access anytime of the day to get into the gym, to workout." 

Head coach Noelle Quinn said she predicts the team is "never going to leave this building."

"Which is a good thing for me," she continued. "You talk about having an edge in performance. We want our athletes to not only perform on the court, but get whatever they need."

All of the Storm's staff and operations will now live under one roof, and the team also has plans to launch a youth basketball program operating out of the building.

Mystics relocate game to accommodate Caitlin Clark fans

Maya Caldwell, Erica Wheeler, and Lexie Hull of the Indiana Fever celebrate Caitlin Clark
Get ready — Caitlin Clark is coming to town. (Photo by Ron Hoskins/NBAE via Getty Images)

The Caitlin Clark effect is quickly making its mark on the big leagues, as WNBA host teams around the country rush to upgrade their Fever games to larger arenas in order to accommodate surging ticket sales.

With Clark mere weeks away from her Indiana Fever debut, both the Las Vegas Aces and Washington Mystics have officially relocated their scheduled home games with head coach Christie Sides' squad. On Thursday, the Mystics became the latest to adjust their plans, moving their June 7th matchup from Entertainment & Sports Arena in Southwest DC to the more centrally located — and much larger — Capital One Arena "due to unprecedented demand."

The Mystics home court's capacity taps out at 4,200, while Capital One Arena — home to the Wizards, Capitals, and Georgetown Hoya's Men's Basketball — can fit nearly five times that crowd at some 20,000 spectators.

"The move to Capital One Arena will allow for additional fans in the stands as well as premium hospitality options, including Suites and the all-new all-inclusive courtside Hennessy Lofts," the team announced via Thursday's press release.

The Aces were one of the first teams to switch venues, aiming to take on the Indiana Fever in front of as many as 20,000 fans inside T-Mobile Arena on July 2nd. That’s a sizable a boost from their home venue, which holds just 12,000.

For those still planning to face the Fever in their home arenas, ticket prices have skyrocketed. Previously scheduled construction has already forced the LA Sparks to relocate their first five games — including their May 24th clash with the Fever — to Long Beach State's Walter Pyramid. The temporary venue is quite the downsize, holding just 4,000 in comparison to Crypto.com Arena's near-19,000. As of Friday, the get-in price for that game started around $400.

Despite fans launching a Change.org petition urging relocation, the Chicago Sky say they're unable to move their June 23rd Fever meeting from Wintrust Arena's 10,000-seat facility to the 23,500-seat United Center due to a concert. Tickets for that game start around $325 as of Friday.

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