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Lindsey Vonn’s directorial debut, ‘Picabo,’ is a labor of love

Picabo Street celebrates her gold medal in the Super-G giant slalom event at the 1998 Winter Olympics. (Jerome Prevost/TempSport/Corbis/VCG via Getty Images)

Picabo Street is re-telling her story on her own terms with help from champion skier Lindsey Vonn and acclaimed director Frank Marshall.

The Idaho native has quite the tale to tell, decades removed from a groundbreaking skiing career that included a Super-G gold medal at the 1998 Winter Games. As a cultural icon, Street captivated fans with her raw honesty and playful nature and helped American skiing on the map.

Street’s signature candor was on full display as she spoke lovingly about “Picabo,” the 90-minute intimate portrait of her rise to prominence, now available to stream on Peacock before the Beijing Winter Games open on Friday.

“When we decided to go ahead with the film, the first thing I told everyone was that the number one most important thing to me is authenticity,” Street tells Just Women’s Sports.

Vonn, in many ways, is the perfect person to tell Street’s story. As a fan turned teammate and friend, she understands what makes the Olympian tick. In her role as co-director, Vonn appears on screen to interview Street, prodding beyond the medals, the fame and the accolades.

“She knew me already as a person … and as a teammate, so she did a lot of the digging behind it all herself and was really ready for the interview when we did it,” Street says of the revealing conversation that grounds the documentary.

The former Team USA athletes also hit the slopes together for the film. Street said it was an emotional experience since it was the first time Vonn and Street had skied together in a non-competitive environment.

“We didn’t have to talk about the course, and we didn’t have to talk about the weather, and we didn’t have to talk about whether the light was good or not and who was going to win and all the politics that go around it,” says Street, adding that she is often brought to tears when thinking back to the day.

While Street’s athletic achievements are covered in the film, “Picabo” also touches on the skier’s private life, most notably her close yet complex familial ties.

“My family and our relationship engulfed everything, the entire journey,” says Street, whose father’s diabetes diagnosis specifically served as a pivotal moment in her life and career.

The documentary doesn’t shy away from the love and conflict between Street and her late father, including an incident that resulted in a dismissed domestic violence charge against the champion skier. For Street, revisiting her father’s illness and the trying moments between the two has been a cathartic process.

“The term I want to try to use is excavate and cleanse. My big mission is to break the cycle, and as long as I am still bleeding from those wounds, I’m not free to completely break the cycle,” she says. “I can pay my story forward and keep making a difference in other peoples’ lives.”

The documentary’s holistic representation of Street as both an elite athlete capable of staggering physical feats and a human being with nuanced relationships and vulnerabilities comes at a time of heightened awareness around athlete mental health. Gymnast Simone Biles’ decision to step back from several events at the Tokyo Olympics sparked a meaningful conversation around the connection between physical safety and mental wellbeing.

Street, 50, relates to Biles in some ways, especially in the risks of their sport (“You can’t lose track of yourself in the air any more than I can lose track of myself on the downhill course,” she says). One of the differences, however, is the heightened access and attention athletes contend with today.

“Everybody is watching, and everybody thinks they have a little ownership in it, and therefore the decisions you make, they have an opinion about those decisions,” Street says.

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(Courtesy of Peacock)

Throughout her career, Street endeared herself to the American public, earning the media’s adoration as a captivating and charming public figure. “I grew up without television, so I had no idea what a role model on TV even was like,” says Street, crediting her engaging and authentic front-facing image to her initial naivete. “I was fortunate enough to have a really good go with the media throughout my career and really display my personality, have a good time with it.”

Reminiscing about the shimmy she would do on the podium and her entertaining post-race celebrations, Street says she always wanted the fans to have as much fun as she was having.

The Olympian feels similarly about the film, hoping viewers will sit back, relax and enjoy “the joyful journey of the ride” from the comfort of their own home. At the center of the film is a big heart, with Street citing her three sons as the motivation for telling her story, hoping they would be able to see their mom through a new lens.

“At the core of all of it is love. Love is powerful,” Street says. “It’s a love story of my family, it’s a love story of me and skiing, and ski racing and me, and all the competitors I competed with.”

Clare Brennan is an associate editor at Just Women’s Sports.

Cameron Brink likes Caitlin Clark for 2024 WNBA Rookie of the Year

Cameron Brink poses with Caitlin Clark at 2024 wnba draft in new york
Cameron Brink poses with fellow draftee — and possible WNBA ROY —Caitlin Clark. (Photo by Emily Johnson/NBAE via Getty Images)

Cameron Brink already has her rookie of the year pick for the upcoming WNBA season, and it’s Indiana-bound star Caitlin Clark

In the latest edition of Kelley on the Street, host Kelley O'Hara caught up with Brink in New York hours before the Stanford phenom went No. 2 overall to the Los Angeles Sparks at the 2024 WNBA Draft. When O’Hara asked who would win the WNBA's rookie of the year, she answered without pause.

"Caitlin Clark," she said, while a fan commented that she thought Brink would take home the award. Brink later added that the extra foul granted to WNBA players will be "good for me."

"I hope it’s me," Charisma Osborne, who was later drafted by the Phoenix Mercury, said when asked her ROY prediction. "But, I don’t know — we’ll see."

Watch more of Kelley on the Street:

Dash winger Maria Sanchez confirms trade request a day shy of NWSL deadline

María Sanchez of Houston Dash during a NWSL game
In December, Sanchez signed a new three-year contract with the club worth $1.5 million including bonuses and an option year. (Photo by Marcus Ingram/Getty Images)

Maria Sanchez issued a statement on Thursday, confirming recent reports that she has requested a trade from the Houston Dash. 

In it, she revealed that the club has been aware of the request "since late March."

"This has all taken a toll and isn’t an easy thing to talk about, but I want to confirm that I’ve requested an immediate trade," she wrote. "My expectations and reasons have been clear. I trust that my current club’s management will honor my decision in a timely manner and proceed with accepting a trade."

"I’m eager to refocus and dive back into what I love most: playing football," she concluded.

Reports of Sanchez's trade request first surfaced on ESPN last week, and were later confirmed by multiple sources. 

In December of last year, Sanchez signed a three-year contract with the Dash valued at $1.5 million including bonuses and an option year. It was the largest contract in NWSL history at the time — a figure that would be eclipsed by multiple contracts in the following months. 

Sanchez spent the offseason as a restricted free agent, meaning that Houston could match any other team's offer to retain her rights. Should the Dash trade Sanchez, her current contract terms would remain intact, limiting potential buyers to teams able to afford to take on an inking of that size.

The Dash has yet to address the trade, instead reiterating to ESPN that Sanchez is "under contract, a choice she made in free agency at the end of 2023." 

Both the NWSL trade window and transfer window close tonight, April 19th, at 12 a.m. ET. The window will stay closed through the next 11 regular season games, reopening on August 1st, 2024.

Seattle Storm debut state-of-the-art $64 million practice facility

Jewell Loyd #24 of the Seattle Storm during warms up during practice on July 11, 2020 at IMG Academy in Bradenton, Florida
Jewell Loyd, seen here practicing at Florida's IMG Academy, and her team are in for a major upgrade this season. (Photo by Ned Dishman/NBAE via Getty Images)

The four-time league champion Seattle Storm unveiled their new practice facility on Thursday, with Storm co-owner Lisa Brummel dubbing Interbay's Seattle Storm Center for Basketball Performance the team’s "new home."

"It's just such a special space," Brummel told Fox 13 Seattle. "I think when the players get here, it's gonna be overwhelming."

The sprawling 50,000-square-foot, $64 million property is just the second designated practice facility to be designed and built expressly for a WNBA team, with the Storm further noting that 85% of all design and engineering team members involved in the project's construction were women and people of color. The finished product holds two professional indoor courts, two 3x3 outdoor courts, a state-of-the-art locker room, and players' lounge, plus designated areas for strength and conditioning, kitchen, dining, and nutrition, and recovery. 

"This facility reflects our commitment to providing our athletes an exceptional environment that supports their growth, health, and performance," said Storm co-owner Ginny Gilder in an official team release. "It’s built for women, by women, embodying our dedication to leading the way in professional women’s sports."

For their part, the team can't wait to make the faciilty their own.

"It's amazing," Storm guard Jewell Loyd told Fox 13. "Not having to drive everywhere around, knowing you have access anytime of the day to get into the gym, to workout." 

Head coach Noelle Quinn said she predicts the team is "never going to leave this building."

"Which is a good thing for me," she continued. "You talk about having an edge in performance. We want our athletes to not only perform on the court, but get whatever they need."

All of the Storm's staff and operations will now live under one roof, and the team also has plans to launch a youth basketball program operating out of the building.

Mystics relocate game to accommodate Caitlin Clark fans

Maya Caldwell, Erica Wheeler, and Lexie Hull of the Indiana Fever celebrate Caitlin Clark
Get ready — Caitlin Clark is coming to town. (Photo by Ron Hoskins/NBAE via Getty Images)

The Caitlin Clark effect is quickly making its mark on the big leagues, as WNBA host teams around the country rush to upgrade their Fever games to larger arenas in order to accommodate surging ticket sales.

With Clark mere weeks away from her Indiana Fever debut, both the Las Vegas Aces and Washington Mystics have officially relocated their scheduled home games with head coach Christie Sides' squad. On Thursday, the Mystics became the latest to adjust their plans, moving their June 7th matchup from Entertainment & Sports Arena in Southwest DC to the more centrally located — and much larger — Capital One Arena "due to unprecedented demand."

The Mystics home court's capacity taps out at 4,200, while Capital One Arena — home to the Wizards, Capitals, and Georgetown Hoya's Men's Basketball — can fit nearly five times that crowd at some 20,000 spectators.

"The move to Capital One Arena will allow for additional fans in the stands as well as premium hospitality options, including Suites and the all-new all-inclusive courtside Hennessy Lofts," the team announced via Thursday's press release.

The Aces were one of the first teams to switch venues, aiming to take on the Indiana Fever in front of as many as 20,000 fans inside T-Mobile Arena on July 2nd. That’s a sizable a boost from their home venue, which holds just 12,000.

For those still planning to face the Fever in their home arenas, ticket prices have skyrocketed. Previously scheduled construction has already forced the LA Sparks to relocate their first five games — including their May 24th clash with the Fever — to Long Beach State's Walter Pyramid. The temporary venue is quite the downsize, holding just 4,000 in comparison to Crypto.com Arena's near-19,000. As of Friday, the get-in price for that game started around $400.

Despite fans launching a Change.org petition urging relocation, the Chicago Sky say they're unable to move their June 23rd Fever meeting from Wintrust Arena's 10,000-seat facility to the 23,500-seat United Center due to a concert. Tickets for that game start around $325 as of Friday.

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