Curt Miller is a builder. That’s what newly appointed chief administrative officer and general manager Karen Bryant liked about him as a candidate for the Los Angeles Sparks head coaching job.

Bryant helped hire the two-time WNBA Coach of the Year away from the Connecticut Sun in October as Sparks interim president at the time.

“He is known for sustained success, not one-off successes,” Bryant said in an introductory press conference Wednesday. “And he very quickly emerged as the right person for this role and the right person to help lead the transformation of the Sparks, to really put us in position to have sustainable success.”

Miller built a program first at Bowling Green. In his 11 years at the helm, he elevated the women’s basketball team from winning 41 percent of its games and zero titles in his first three seasons, to a 72 percent win rate and five conference regular-season and tournament championships by the time he left.

Then, came the Sun job, where Miller helped the team rebound from a four-year playoff drought to earn trips to two WNBA Finals and two semifinals in his final four seasons with the franchise.

But between his years as a college and WNBA head coach, there was a pit stop as an assistant. L.A. was the city that introduced Miller to the WNBA, and the Sparks the team that prepared him to coach in it.

In 2015, Miller spent one season on the Sparks staff, and it had a profound effect on his career.

“My first year in the league was such a special experience that I thought, if the opportunity to return ever presented itself, it would be too good to pass up,” Miller said. “It was a dream opportunity. It’s an iconic franchise.”

It’s also a franchise in need of some help, but with a solid foundation upon which to build.

After multiple playoff disappointments and a 5-7 record to start the season, Los Angeles parted ways with coach and GM Derek Fisher in June and endured roster upheaval, including the departure of Liz Cambage via contract divorce. Fisher had previously faced criticism for his inability to re-sign key free agents Candace Parker and Chelsea Gray — both of whom went on to win WNBA Championships with their next teams — and for focusing too much energy and salary-cap space on Cambage and third-year guard Chennedy Carter.

Miller knows he has a lot of work to do, and quickly. The Sparks, an original WNBA franchise and the owners of three WNBA championships, expect to win.

“As a coach, you want to be with an organization that has high expectations,” he said. “That is where you desire to be.”

With the drama-filled 2022 season behind them, Miller is turning his attention to the Sparks’ locker room.

“Culture creation is paramount,” he said. “We are not going to cut corners. We are excited about building a culture, and for me, culture starts with preparation. That is always our first pillar.

“Championships are won in the locker room before they are won on the court.”

That process starts with re-signing Nneka and Chiney Ogwumike, who are both free agents this offseason. Chiney came to the Sparks in 2019, and then sat out the 2020 season due to health concerns during the pandemic but returned in 2021. Her sister, Nneka, has been with the Sparks since she was drafted by the franchise in 2012.

Nneka was one of the lone highlights during a difficult 2022 season for the Sparks. The veteran was named to the All-WNBA Second Team and earned All-Star honors. After the season, she said she would like to stay with the Sparks but lamented that “being the one that scores all the points is a heavy cross to bear.”

“I’m excited about speaking with them in free agency,” Miller said. “They are important pieces. They are both so talented. But more importantly, they are great leaders by example. They are tremendous in the locker room, and players around the league gravitate toward them and want to play with them.”

The Sparks plan to be aggressive when free agency begins. Miller and Bryant both acknowledged that former Sparks star Candace Parker is on their radar, though no official talks will take place until free agency negotiations begin on Jan. 21.

Eden Laase is a Staff Writer at Just Women’s Sports. Follow her on Twitter @eden_laase.

Naomi Osaka advanced to the third round of the 2026 Australian Open with a three-set victory over Sorana Cirstea on Thursday.

But the hard-fought win was overshadowed by a heated exchange at the net and a subsequent public apology from the former Japanese fan favorite.

After Osaka defeated the unseeded 35-year-old 6-3, 4-6, 6-2 at Margaret Court Arena, the two shared a tense handshake before Cirstea reportedly called Osaka out for her on-court conduct. The issue apparently centered on Osaka’s habit of shouting "Come on!" to celebrate points, specifically between Cirstea’s first and second serves — a move the Romanian considered both a distraction and a breach of sportsmanship.

In her immediate postmatch interview, Osaka dismissed Cirstea's complaints.

"Apparently a lot of 'come-ons' that she was angry about, but whatever," Osaka said. "I think this was her last Australian Open, so, okay, sorry she was mad about it."

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However, during her subsequent press conference, Osaka apologized for her dismissive tone.

"I'm a little confused. I guess that emotions were very high for her," Osaka said. " I also want to apologize. I think the first couple of things that I said on the court were disrespectful. I don't like disrespecting people. That's not what I do."

Osaka went on to clarify that her vocal outbursts are self-motivating and not an attempt to rattle her opponent.

Cirstea, who recently announced that the 2026 season will be her last on the WTA Tour, later downplayed the incident. She called it a "five-second exchange between two players," insisting that "there was no drama."

Osaka, the No. 16 seed, will next face unseeded Australian Maddison Inglis in the third round on Friday.

How to watch Naomi Osaka at the Australian Open this week

No. 16 Naomi Osaka takes the court against Australia's Maddison Inglis this Friday (time TBA), live on ESPN.

While competing at the 2026 Australian Open this week, US tennis star Coco Gauff is giving back to Historically Black Colleges and Universities (HBCUs), with the world No. 3 WTA player announcing a $150,000 donation to the United Negro College Fund (UNCF) to fund HBCU tennis scholarships on Tuesday.

"Education has the power to change lives, and I hope this gift will help students achieve their dreams," said Gauff in a Tuesday statement.

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Even more, this week's donation marks the two-time Grand Slam champion's second UNCF contribution in as many years, with her $100,000 pledge in 2025 bringing Gauff's total gift to $250,000.

"I feel like HBCU tennis a lot of times doesn't get the funding that they need," Gauff said after advancing to Thursday night's Australian Open third round. "I would always try to uplift marginalized communities and support where I can."

One of the youngest major donors in organization's 80-year history, the 21-year-old star's Coco Gauff Scholarship Program has already sponsored multiple HBCU tennis athletes.

"My family has a deep-rooted history with HBCUs," Gauff wrote in a 2025 press release. "As a young Black athlete, I understand how impactful it is to see people who look like me thriving in both sports and education…. My hope is that this scholarship gives more young Black players the confidence to chase their dreams, knowing they have a strong community behind them and a bright future ahead."

PWHL players made their voices heard this week, as The Athletic published the results of the third-year league's first-ever anonymous player poll on Wednesday, surveying athletes on everything from the best trash-talkers to which nation's team will win Olympic gold at next month's 2026 Winter Games.

Leading the poll's individual accolades is 34-year-old Team Canada and Montréal Victoire captain Marie-Philip Poulin, dubbed the PWHL's best player by 80% of respondents.

Poulin's Team USA counterpart, Seattle Torrent forward Hilary Knight, snagged second as each standout prepares for a fifth career Olympic run.

As for who will win gold in Italy, all but one player predicted a Canada vs. USA Olympic Final, with a 50/50 split on the eventual victor.

Athletes also answered overarching questions about the growing league in the player poll, with Detroit earning the most nods as a PWHL expansion city — though Denver and Chicago also scored double-digit votes.

As for the future face of the league, current New York Sirens forward and 2024 PWHL No. 1 draftee Sarah Fillier narrowly edged out current University of Wisconsin senior and Team USA Olympic defender Caroline Harvey in the players' poll.

Toronto Sceptres forward Emma Maltais beat out Montréal's Abby Roque by one vote for the title of top PWHL trash-talker, though most players tapped her for quantity over quality — an assessment Maltais herself agrees with.

"I'm not trash-talking," clarified the 26-year-old Canadian. "I'm just yapping."

WNBA star Angel Reese is lighting up the silver screen, with the Chicago Sky forward racking up multiple film and TV credits during the league's offseason.

On Tuesday, Netflix revealed that Reese will play a character called "Trainer Barbie" in the second season of the streamer's hit show, The Hunting Wives.

Already a fan of the series, Reese's told Hunting Wives creator Rebecca Cutter to "just let me know if you need me for season 2" on X last summer — a conversation that helped spark the basketball star's casting.

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Tuesday's news follows last week's announcement that Reese and Las Vegas Aces star center A'ja Wilson will each voice a role in the upcoming animated film GOAT, produced by the NBA's Golden State Warriors superstar Steph Curry.

When the film hits theaters on February 13th, fans will see Reese as Propp, a polar bear, while Wilson plays a reptile called Kouyate.

Reese first opened her acting portfolio by playing herself in a cameo in the October 2025 Netflix film A House of Dynamite, with Hunting Wives marking the 23-year-old's first foray into a scripted series.

The eight-episode second season of the Netflix show is currently in production, though a premiere date is still unknown.