The rivalry in women’s hockey between the U.S. and Canada, our maple-tapping neighbors to the north, is as intense as ever heading into the Beijing Olympics. The two nations have dominated the sport on the world stage since the International Ice Hockey Federation first started holding a women’s world championship in 1990 and the IOC followed suit in 1998 by adding the sport to the Olympic line up. 

Since then, the U.S. and Canada have faced each other in the gold medal game of every single World Championship and Olympic games but two (Sweden knocked the U.S. out in semis at the 2006 Olympics and Finland did the same to Canada at Worlds in 2019). Of all the great rivalries in recent sports history, perhaps none have been as consistent and relentless as this one. For these two teams, after every huge victory and every heart-breaking defeat, they awake the next day knowing their nemesis is still out there, coming for them again with everything they have.

At the PyeongChang 2018 Winter games, the U.S. finally won their second Olympic gold, ending Canada’s run of four consecutive Olympic golds. It came one year after the U.S. women threatened to boycott the IIFH World Championship in their fight for better pay and better treatment from USA Hockey. Proving their worth, the U.S. followed that victory up with a fifth consecutive World Championship in 2019.

But since resuming play after the cancellations of 2020, it appears momentum has shifted in favor of the north. At the World Championship this past August, Canada beat the U.S. both in the preliminary rounds and again in an overtime thriller, 3-2 for the title, winning their first Worlds title since 2012.

And in the latest installment of the saga, tensions boiled over as the final buzzer blew on a 3-2 Canadian victory in Game 2 of a nine-game pre-Olympic rivalry series between the two squads.

Canada wins Game 2 of the Rivalry Series and My Why Tour, 3-2!

Goals for Canada by Bach and Fillier (2) and by Barnes and Kessel for the US.

and of course the game ends in some super friendly handshakes pic.twitter.com/RgE4UQWkUZ

— The Ice Garden (@TheIceGarden) October 26, 2021

With Canada also winning Game 1 of the series a few days prior, and just a few months to prepare for what many are hoping will be a sixth Olympic gold showdown, it appears the U.S. has some work to do. The rivals face off again Nov. 21 and 23 in Ontario.

When not playing for their countries, most American and Canadian national team members, like USA stars Hilary Knight, Kendall Coyne Schofield, and Amanda Kessel, play for the Professional Women’s Hockey Players Association (PWHPA). The group was formed in 2019 (after the Canadian Women’s Hockey League went under) partly in protest to existing leagues, including the NWHL, which elite players said had failed to provide a truly professional option for the best women’s hockey players in the world. 

Since its formation, the on-ice action of the PHWPA has been a series of annual showcase games between evenly divided teams, each with its own outside sponsor. Last season they moved to a “regional hub” structure, where each hub carries a 25-player pool from which they form each showcase roster, a baby step toward designating geographically-located teams. This season, the puck drops in Truro, Nova Scotia on November 12th for the first showcase with teams from Boston, Calgary, Montreal, and Toronto playing a two-day, best of four tourney.

This year, the PWHPA will also play in several All-Star games where hand-selected rosters (of mainly non-national teams players) will play against national teams prepping for the Olympics. In October, they played a series of closed-door scrimmages against Team USA and will take on Team Canada in Calgary on Dec. 9 and 11 before heading over to play Japan in a series of games Jan. 9-16.

Meanwhile, the Premier Hockey Federation (previously the National Women’s Hockey League) has recently kicked off its seventh season with a five-game opening weekend. The Boston Pride will be looking to defend their Isobel Cup title against the Minnesota Whitecaps, Buffalo Beauts, Metropolitan Riveters, Toronto Six, and Connecticut Whale. The PHF as a whole will be looking to move past a somewhat disastrous last season, in which a Covid outbreak burst the league’s rather porous hockey bubble and forced the league to suspend play.  

It was an eventful offseason for the PHF since teams were last on the ice. Shortly after last season ended, the league announced that the salary cap would be doubled, bringing it to $300K per team. Earlier this fall, following tough discussions prompted by one team owner’s previous involvement with an anti-trans organization, the league announced the name change and re-branding from the National Women’s Hockey League to the Premier Hockey Federation.

According to the league press release announcing the change, “The PHF name was inspired by empowerment, gender equity, and inclusivity with respect to differences in the gender identity of current athletes, prospective players, and league stakeholders.”

And just last week, the league announced it signed a new deal giving ESPN+ exclusive broadcast rights for the 2021-2022 season. The streaming service will offer all 60 regular season games plus playoffs.

Even though most U.S. and Canadian national team members don’t play in the PHF, the abundance of hockey talent being produced in north America is clear. And the end goal of a high caliber, financially sustainable, pro league where players can be full-time professional athletes and make a decent living is the common goal.

No doubt the PWHPA is hoping for a strong U.S. and Canadian showing in Beijing to get the Olympic boost that can move their dream forward, as has been the pattern for other successful women’s pro sports leagues. What remains to be seen is if the PHF will benefit from the same boost, and what that will mean for the two organizations down the line. The PHF has said it wants to mend the gap. For the PWHPA, it remains an unbridgeable gulf. 

Tessa Nichols is a contributing writer for Just Women’s Sports. 

Rose Lavelle is hoping to return to the field soon. 

The 28-year-old midfielder has been sidelined with a lower leg injury since the Gold Cup in early march. Since then, she has yet to play for new club Gotham FC in the NWSL. She also missed a potential USWNT appearance at the SheBelieves Cup in April, where senior team newcomer Jaedyn Shaw saw success assuming Lavelle's role in the attacking midfield. 

At the U.S. Olympic and Paralympic Committee media showcase on Monday, Lavelle told reporters that she’s doing well and hopes to be back soon.

"I’m doing good — I’m hoping I’ll be back in the next couple weeks," Lavelle said. "It’s frustrating to start the year off with an injury, just because I feel like you come off preseason and you’re revving to go, so it’s so annoying."

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Lavelle is still looking to compete for one of just 18 Olympic roster spots. When healthy, she ranks as one of the national team’s most trusted assets, but considering this most recent injury, her health is an obvious concern. Faced with an onslaught of experienced competitors and young talent, incoming USWNT coach Emma Hayes will have some big decisions to make when selecting the Paris-bound squad — a reality Lavelle seems to be taking in stride as she works to regain full fitness.

"We have so many special players, we have so much depth, and so many different weapons to utilize on and off the bench," Lavelle said. "Unfortunately that means really good players are going to get left off, too. And I think for all of us, it’s just about being ready for whatever role is given to us, embracing that, and looking to put it into a collective picture so that we can go into the Olympics ready to go."

Stanford has found its replacement for legendary head women's basketball coach Tara VanDerveer in associate head coach Kate Paye.

The Cardinal confirmed the hiring on Tuesday via a press release. Paye was largely expected to replace the longtime head coach, as the college mentioned they were still negotiating Paye's contract when they announced VanDerveer's retirement.

In Tuesday's statement, Paye reported that she was "humbled" to have been tapped to lead the women’s program.

"Stanford University has been a central part of my life for as long as I can remember and I am humbled to have the opportunity to lead its women’s basketball program," Paye said. "I’d first like to thank Tara, who has played such a pivotal role in my career for her friendship and guidance. It’s not what she’s done, but how she’s done it, that has had such a profound impact upon me."

A Woodside, California native, Paye played under VanDerveer from 1992 to 1995, taking home a national title her freshman year. After graduation, Paye briefly joined San Diego State as an assistant coach before making her professional debut with the ABL's Seattle Reign in 1996. After finishing her playing career with the WNBA's Seattle Storm, she joined the team’s coaching staff in 2007 and has been with the organization ever since, picking up another national title win — this time as associate head coach — in 2021. Paye's brother John played quarterback for Stanford from 1983 to 1986, while also serving as a point guard on the basketball team.

In her own response, VanDerveer said that she was "grateful" that Stanford picked Paye to follow in her stead. Last week, the decorated coach stated that this year would be her last after 38 seasons at the helm and three national titles under her belt.

"She has long been ready for this opportunity and is the perfect leader for Stanford at this time of immense change in college athletics," VanDerveer noted. "Kate was the choice for this job and I am confident she will achieve great success as head coach."

The 2024 WNBA Draft has officially concluded, leaving the newly minted rookie class facing a tough road ahead.

Only 144 roster slots are available throughout the league’s 12 teams, the reason why the players are sometimes referred to as the “144.” And Monday’s draft picks are set to join a large group of established players competing for those same roster spots, from seasoned veterans to young athletes determined to prove their value on the court.

Last year, just 15 of the league’s 36 draftees made it onto their drafting team's opening-day squad.

In reality, there are oftentimes fewer than 144 spots available, as not every team maxes out their roster. Per the league's CBA, each team roster must maintain a minimum standard of 11 players, but those lists can include players out with injuries or on other forms of leave. Players can also be assigned to short-term hardship contracts, something waived players must be prepared for at any point during the season.

Earlier this week, Laeticia Amihere — a 2022 national champion with South Carolina who currently plays for the Atlanta Dream — took to TikTok to provide some insight into the WNBA training camp process. 

"You can either get drafted on Draft Night, or you can get signed by a team," she said. "Once that happens, you go to training camp literally like two weeks later... Basically everybody's got to try out. There's 12 roster spots, and there's like 18 people at the at the trial."

@laeticiaamihere Replying to @dantavius.washington #wnba #draft ♬ original sound - Laeticia Amihere

Amihere also had an important point to make: Getting cut does not signify a player’s abilities. 

"If you get cut after training camp, that does not mean you're not good," she said. "That does not mean that player sucks, don't stop supporting that player. Literally, there's so many reasons somebody can get cut."

"If you guys look at the best players in the league, most of them have bounced around teams," she added. "And I promise you it is not a bad thing, it's just how the league is."

Things, however gradually, are changing. With Golden State's WNBA team scheduled to launch in time for the 2025 season, league expansion is just around the corner. On Monday, Commissioner Cathy Engelbert announced that the league is aiming to grow to 16 teams by 2028. But by then, it might be too little too late for the generation of talent emerging from an increasingly competitive NCAA system.

Monday night’s WNBA draft added to the nationwide uptick in record-breaking women's sports viewership, pulling in 2.45 million viewers throughout the nearly two-hour broadcast and peaking at 3.09 million, according to an ESPN release. 

That number shatters the previous draft viewership record — 601,000 in 2004 — which was fueled primarily by then-No. 1 pick Diana Taurasi entering the league after UConn's historic three-peat March Madness performance.  

The 2023 WNBA draft drew 572,000 viewers, the most for any televised WNBA event since 2.74 million tuned in to NBC for a Memorial Day matchup between the New York Liberty and Houston Comets back in 2000.

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While many came to watch Caitlin Clark get drafted No. 1 overall, it’s important to note that viewership didn’t take a massive dip after the superstar shooter left the stage. The numbers show that a bulk of the audience stuck around to watch the remainder of the show, making 2024's event not just the most-viewed WNBA draft in history, but also the most-viewed WNBA program to ever air on ESPN platforms.

Draft Day's popularity is yet another sign indicating an expected rise in WNBA regular season viewership. Clark and Iowa's NCAA tournament showdown with the Chicago Sky-bound Kamilla Cardoso's South Carolina side drew a record 18.7 million to ABC's Sunday afternoon broadcast. Banking on this trend, 36 of Indiana's upcoming 40 games are set to be shown on national television. In-person ticket sales are also soaring, leading the defending WNBA champion Las Vegas Aces to re-home their matchup with the Fever to a venue that can accommodate some 6,000 more fans.